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	<title>AEFilms &#187; Blog</title>
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		<title>Red Day London</title>
		<link>http://www.aefilms.co.uk/blog/red_day_london/</link>
		<comments>http://www.aefilms.co.uk/blog/red_day_london/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 14:35:43 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=427</guid>
		<description><![CDATA[Red Day came to the UK and we were on hand to look at the new Red Cameras and listen to the plans Red have for the future. Subjects covered included new tech, Oscar nominations, take-up of the Red One since it launched 2 years ago and new Post Production options.]]></description>
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<enclosure url="http://red.cachefly.net/M-X-REEL.mov" length="100845336" type="video/quicktime" />
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		<title>Night School Online</title>
		<link>http://www.aefilms.co.uk/blog/night_school_online/</link>
		<comments>http://www.aefilms.co.uk/blog/night_school_online/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 08:07:57 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=422</guid>
		<description><![CDATA[One of the first projects to hire our Red One Camera, the short film Night School, is available to view online. The film was written and directed by  Ben Soper and shot by the very talented Robbie Ryan, DoP on such hit Brit-flicks as Red Road and Brick Lane. You can view the film here and then [...]]]></description>
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		<title>Red Day</title>
		<link>http://www.aefilms.co.uk/blog/red-day/</link>
		<comments>http://www.aefilms.co.uk/blog/red-day/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 12:20:33 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=409</guid>
		<description><![CDATA[We weren&#8217;t able to attend to the recent Red Day in Hollywood (hey Jim, how about bringing the show to Pinewood?) but we&#8217;ve been keeping an eye on events and announcements with interest. Here&#8217;s what we&#8217;ve been hearing about the event: Red have bought Ren-Mar studios in Hollywood. They&#8217;ll be keeping the current studio rental [...]]]></description>
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		<title>Penned and Pledged</title>
		<link>http://www.aefilms.co.uk/blog/penned_and_pledged/</link>
		<comments>http://www.aefilms.co.uk/blog/penned_and_pledged/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 22:34:43 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=399</guid>
		<description><![CDATA[We&#8217;re currently providing Red Camera Hire and support services for a pilot episode of a new comedy series called Penned and Pledged. We&#8217;re shooting in a documentary style on two Red One Cameras in 2K mode with lightweight super-16 lenses. Glad to say that the script is one of the funniest we&#8217;ve ever read, and [...]]]></description>
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		<title>Update on Epic/Scarlet</title>
		<link>http://www.aefilms.co.uk/blog/update_on_epic_scarlet/</link>
		<comments>http://www.aefilms.co.uk/blog/update_on_epic_scarlet/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 12:37:02 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=385</guid>
		<description><![CDATA[On Friday evening Jim Jannard posted an update on the forthcoming new Red cameras, the Epic and the Scarlet. It was more an informational update than announcing anything that wasn&#8217;t already largely known (or speculated about), but there are some interesting features that are worth rounding up here. Red are referring to the new system [...]]]></description>
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		<title>David Fincher On Red</title>
		<link>http://www.aefilms.co.uk/blog/david_fincher_on_red/</link>
		<comments>http://www.aefilms.co.uk/blog/david_fincher_on_red/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 08:54:28 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=380</guid>
		<description><![CDATA[It was recently announced that David Fincher (Seven, The Curious Case of Benjamin Button) would shoot his next film, Social Network, on the Red One camera. The film is written by Aaron Sorkin and the DoP is Jeff Cronenweth (son of the awesome Jordan Cronenweth) returning to work with Fincher for the first time since Fight [...]]]></description>
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		<title>Cost of Shooting Red</title>
		<link>http://www.aefilms.co.uk/blog/cost_of_shooting_red/</link>
		<comments>http://www.aefilms.co.uk/blog/cost_of_shooting_red/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 08:38:59 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=272</guid>
		<description><![CDATA[Ted Schilowitz of Red Digital Cinema recently published an open letter to Variety in reply this article where the magazine challenges the perception that shooting digital is cheaper than shooting on film. Ted makes some excellent points with regards to the cost savings concerning shooting on Red vs Film, but importantly also includes a rough [...]]]></description>
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		<title>Red and the BSC</title>
		<link>http://www.aefilms.co.uk/blog/red_and_the_bsc/</link>
		<comments>http://www.aefilms.co.uk/blog/red_and_the_bsc/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 13:14:29 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=233</guid>
		<description><![CDATA[Recently the British Society of Cinematographers has been doing the rounds with its Film and Digital Evaluation 2009 Roadshow. The evaluation itself concerned the side-by-side comparison of 18 different formats over the course of a week utilising the talents of over 50 people. The BSC have posted up a behind the scenes video here that [...]]]></description>
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		<title>BBC White Paper considers the Red One</title>
		<link>http://www.aefilms.co.uk/blog/bbc_red_one_assessment/</link>
		<comments>http://www.aefilms.co.uk/blog/bbc_red_one_assessment/#comments</comments>
		<pubDate>Mon, 21 Sep 2009 08:59:16 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=231</guid>
		<description><![CDATA[An addendum to the BBC&#8217;s R&#38;D white paper &#8220;Colorimetric and Resolution requirements of cameras&#8221; by Alan Roberts assesses the Red One camera. Although slightly outdated already (not Alan &#8216;s fault, that&#8217;s just the way things go with Red) Alan&#8217;s observations make for fascinating reading. In short he confirms that images shot in 4K mode resolve [...]]]></description>
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		<title>Red One Exposure Tutorial</title>
		<link>http://www.aefilms.co.uk/blog/red_one_exposure_tutorial/</link>
		<comments>http://www.aefilms.co.uk/blog/red_one_exposure_tutorial/#comments</comments>
		<pubDate>Fri, 18 Sep 2009 10:33:37 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=228</guid>
		<description><![CDATA[One of the biggest queries we get from those who rent out our Red One for the first time is how to judge proper exposure. It&#8217;s very easy to treat the image in the EVF or on the monitor as WYSIWYG, which it certainly isn&#8217;t. Generally this leads to people over-exposing and losing highlights, when [...]]]></description>
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