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		<title>Seeing Red</title>
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		<pubDate>Thu, 24 Sep 2009 18:07:38 +0000</pubDate>
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		<description><![CDATA[DOWNLOAD PDF This article was originally written for Moviescope Magazine and was published in Issue 9 in July 2008. “RED is going to change everything.” This bold statement by Steven Soderbergh heralding the arrival of the RED ONE camera was seen by some as prophetic, by others as more hype from the big RED propaganda [...]]]></description>
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		<title>The Red Revolution Is Coming</title>
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		<pubDate>Thu, 24 Sep 2009 17:50:03 +0000</pubDate>
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		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=248</guid>
		<description><![CDATA[DOWNLOAD PDF This article was originally written for Moviescope Magazine and was published in Issue 6 in January 2008. HiDef was going to revolutionise the film industry we were told. Filmmaking would become cheaper, faster, easier. Yet HiDef’s impact on the world of film has been a damp squib, because it is neither particularly cheap, [...]]]></description>
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		<title>Death of Film</title>
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		<pubDate>Fri, 11 Sep 2009 09:53:19 +0000</pubDate>
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		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=181</guid>
		<description><![CDATA[DOWNLOAD PDF &#124; DOC This article was originally published on the now defunct UK Red Users Forum in 2006. It&#8217;s a question (or by some of the more vocal an outright statement) that comes up regularly with regards to Red &#8211; will this bring about the Death of Film? It&#8217;s a question that divides the [...]]]></description>
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		<title>Resolution</title>
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		<pubDate>Fri, 11 Sep 2009 09:48:36 +0000</pubDate>
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		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=178</guid>
		<description><![CDATA[DOWNLOAD PDF &#124; DOC This article was originally published on the now defunct UK Red Users Forum in 2006. What resolution is 35mm film? I’ve been asked this question a few times lately, so I thought I’d put a “proper” answer together and post it here. Just to make things clear by the way, I’m [...]]]></description>
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		<title>Red Magic</title>
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		<pubDate>Fri, 11 Sep 2009 09:46:02 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
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		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=176</guid>
		<description><![CDATA[DOWNLOAD PDF &#124; DOC This article was originally published on the now defunct UK Red Users Forum in 2006. Whilst visiting IBC I was witness to an interesting event whereby two employees of Sony entered the Red Booth, looked at what Red was offering and then boldly proclaimed that it was impossible to achieve. They [...]]]></description>
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		<title>IBC 2006</title>
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		<pubDate>Fri, 11 Sep 2009 09:42:23 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
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		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=172</guid>
		<description><![CDATA[DOWNLOAD PDF &#124; DOC This article was originally published on the now defunct UK Red Users Forum in 2006. I’ve just got back from two days at IBC in Amsterdam, predominantly to check out the current status of the RED One Camera and meet some of the guys on the team. Had a chat with [...]]]></description>
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		<title>Background</title>
		<link>http://www.aefilms.co.uk/red-articles/red_background/</link>
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		<pubDate>Fri, 11 Sep 2009 09:39:37 +0000</pubDate>
		<dc:creator>aefilms</dc:creator>
				<category><![CDATA[Red Articles]]></category>

		<guid isPermaLink="false">http://www.aefilms.co.uk/?p=170</guid>
		<description><![CDATA[DOWNLOAD PDF &#124; DOC This article was originally published on the now defunct UK Red Users Forum in 2006. A few years ago a friend and myself attended an early demonstration of the first Sony CineAlta camera. The footage was shown on a cinema screen and was targeted at film-makers as an alternative to shooting [...]]]></description>
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